ANTI-CURATORIAL TEXTS

Live Forever: The Rise and Fall of Brit Pop premiered at BAFICI in 2004. It recorded a time when there were still genuine artistic avant-gardes that could be defined, even through their internal disputes. A time not so long ago when cinema was not a banal ornament, but had something significant to say. Even today, these films stand the test of time, as Live Forever demonstrates.

Tribute from www.curaduriaprofesional.com to Paul Auster (1947-2024) in his role as curator.

Gabriel Palumbo (10/14/1966-03/31/2023), those people who when you meet you realize can become a great friend for life, we met while virtually studying a master's degree in curating contemporary art ( go on)

A fleeting shadow crosses the table where I have breakfast at Ragazzi. This impertinent appearance makes me distract my attention from occasional reading and look up in search of its cause. Out of the corner of my eye I see a troubled girl who has arrived for her shift evidently somewhat late (continues)

A few years ago, during a visit to the ophthalmologist, when trying the lenses that would compensate for my visual deficit, he made me notice the non-negligible difference between dazzling and precise. I don't remember his words exactly, but I do have the experience of the lesson etched in my retinas. I would succinctly describe the first as that which surprises with its intensity (continues)