Curation for me is a tool for raising awareness. As a feminist, my curatorial practice has allowed me to bring my research on feminist activism and art to diverse audiences. There is not a single curatorial practice but several, but the one I choose to do is always crossed by my feminist ideology. Curating has taught me a lot as a professional, it has led me to know and learn from the complexities of exhibition spaces, from experiences with artists and with people who work in the art system. It has shown me the enormous gender, ethnic, and class inequalities that cross our artistic field. It has given me teams of beautiful people and unforgettable experiences of friendship and solidarity, as well as situations that I choose not to experience again. Curation is an activity of enormous professional and ethical responsibility for which we must take responsibility every time we choose what to show and what not to show, what to write and what not to write, who to talk about and who not to mention. And to close, I would like to comment that I did not train in curatorship because the profession did not exist. I am an art historian who brings her research to the curatorial field, therefore for me curating is a practice since I learned directly in the field, something of which I feel very proud.
Doctor in Contemporary Art, researcher at CONICET and professor at the UBA. As a curator she has held the following exhibitions. As a curator she has held the following exhibitions: Guyra Ka'aguy/Wild Bird. Textiles by Mónica Millán, Santander Foundation (currently); Feminist poetics. Ana Victoria Jiménez/Alicia D'Amico, Museum of Modern Art, Mexico City (2023-2024); Dear Felka, Alberto Greco by Ilse Fusková, Galería W, Buenos Aires (2023); Black chicken powder. 40 years of feminist art in Mexico, Museo Cabañas, Guadalajara, Mexico (2023); Black Hen Powder. Evil eye and other feminist recipes, CENAC, Santiago de Chile (2022) and Museo Amparo, México (2022); Alicia D'Amico, an identity on the run, Parque de la Memoria, Buenos Aires (2022); Sequenced images. Argentine photographers 1930-1990, Artegunea Kutxa, Donosti (2021); Create Worlds, PROA Foundation, Buenos Aires (2020-2021), among others.